I love stuff like this, and despite there being more coverage on film and TV than there ever has been before, it seems pretty rare to get an in-depth peek behind the curtain like this these days. 

One of the benefits of growing up when I did was I got to fully come into my movie geekiness at the tail end of the Laserdisc era and experience the DVD boom first hand. For a solid decade, it was expected that every single movie that was released would come jam-packed with commentaries, in-depth behind-the-scenes documentaries, thorough interviews, and all the bells and whistles. 

These days you can really count on boutique labels going the extra mile, which is sad, especially since streaming services can easily add commentaries and the like. Instead, we get those “sit around and talk about a thing” shows like “The Talking Dead” or any of those “Mandalorian” roundtable series.

I do find it funny that I know more about the making of “Everything Everywhere All At Once” without having seen it yet than I do about most things I’ve watched and loved in the last few years. So, thanks to The Daniels and Vanity Fair. I owe you one.

Also, can I just say how happy it makes me to see Ke Huy Quan thriving again? I may be the world’s biggest fan of “Indiana Jones and the Temple of Doom,” but seriously, everything I’ve heard about the movie says he kills it and I can’t wait to witness the Quanaissance.