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“Letter to You” reflects a man who still has the musical passion of youth but the wisdom of age. Reoccurring themes work their way into the narration and lyrics, but the most common are the communal and healing power of music. Springsteen takes almost a religious approach to his work, even calling it “the power of prayer,” and he tells stories from his early days in the world of music. Viewers may be expecting an E Street history lesson, but Springsteen and Zimny dig deeper, unearthing archival footage and photos of Bruce before he hooked up with the band. For example, Springsteen tells the story of The Castiles, an early band he formed with four friends, before revealing that he’s the only surviving member and leading into the song “Last Man Standing.” Springsteen looks nowhere near his age and he still has all of the musical chops, but he’s at that time in his life when formative people are gone. And that fact is reflected throughout the work, one that’s shot in an almost funereal black-and-white (leaving bursts of color to archival footage of the past).
And yet “Letter to You” is not a dirge. There are incredibly fun songs that one can easily picture fans singing and clapping along to when arena rock is allowed to exist again. If Western Stars was designed for a lonely listener on an isolated road, Letter to You is designed to be played loud with friends and family. And one senses that Springsteen has no more important friends than the people he has been collaborating with for more than half his life. There’s communal joy in the room as these songs come to life, and one almost wishes there were more sequences of the band writing and refining the tracks because it’s fascinating stuff.
Some of “Letter to You” feels poorly edited. While Springsteen is, of course, the focus, Zimny and his team over-cut sometimes to the rest of the rather large band. Even as Jake Clemons is doing an excellent saxophone solo, the film continues to jump from member to member to member. It would have been stronger with a little more patience in that department. Show us a whole Max drum solo instead of cutting to what everyone else is doing at the same time for some sort of perceived complete picture.
“Letter to You” may be more “for the fans” than other concert films (and more than “Western Stars”). It’s not a gateway film for the work of Bruce Springsteen and the E Street Band. On the contrary, Springsteen and Zimny know that most of the people who will watch this grew up with The Boss, and they may be considering their own glory days in the twilight of their life. Bruce has always had an amazing ability to speak to the common man and he’s now found a contentment five decades into that conversation, realizing where all the journeys have taken him. If you’ve ever listened to a Springsteen lyric and felt a common voice or even just a pang of recognition, you’re likely to see some of your own life in the path from The Castiles to “Letter to You.” And you’ll want to find some friends and clap along to that artistic connection as soon as possible.
Premieres on Apple TV today, October 23rd.

Brian Tallerico
Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Film Critics Association.
Letter To You (2020)
90 minutes
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