Cannes Film Festival

‘A Light That Never Goes Out’ Is a Cannes Debut Opus on Outcasts, Depression, Music, and Hope

‘Magellan’ Review: Gael Garcia Bernal Plays the Famous Explorer in Lav Diaz’s Exquisitely Shot Challenge of an Arthouse Epic

Winners of the 2025 Cannes Film Festival (Updating Live)

Cannes Gives Warm Welcome to Dardennes and ‘Young Mother’s Home’

‘Resurrection’ Review: Director Bi Gan’s Beguiling, Beautifully Realized Journey Through the Life, Death and Possible Rebirth of Cinema

‘A Private Life’ Review: A Delightfully Paired Jodie Foster and Daniel Auteuil Escape Injury in a Messy but Pleasurable Genre Collision

‘Fuori’ Review: A Writer’s Wild Life Gets Tame Treatment in a Serviceable Italian Biopic

‘Love Me Tender’ Review: Vicky Krieps Anchors a Hard-Hitting Chronicle of Motherhood and Sexual Freedom That Overstays Its Welcome

Scarlett Johansson’s ‘Eleanor the Great’ Draws Cheers, Tears at Cannes Premiere

‘Eleanor the Great’ Review: June Squibb Steadies Scarlett Johansson’s Wobbly Directorial Debut

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