Cannes 2024

#Red Sea Film Fest Books ‘Black Dog,’ ‘Santosh,’ ‘Familiar Touch’ for Festival Favorites Program

#‘Baby’ Review: Lessons in Survival for a Resilient Gay Teen in a Gritty and Tender Brazilian Drama

#Cannes: Korean Action Maestro Ryoo Seung-wan on Reinventing the Cop Movie for ‘I, The Executioner’

#Inaugural Prix Luciole Awards Honor Poster Art at Cannes

#Cannes: Sean Baker’s ‘Anora’ Wins Palme d’Or as ‘Emilia Pérez’ Takes Two Awards

#Sideshow, Janus Films Take Leos Carax’s ‘It’s Not Me’ for North America (Exclusive)

#Selena Gomez on “Insane” Audition For Jacques Audiard’s Cannes Breakout ‘Emilia Perez’: “I Just Surrendered and Completely Gave Myself”

#Netflix Circling Trans Crime Musical and Cannes Breakout ‘Emilia Pérez’

#‘Julie Keeps Quiet’ Review: Riveting Debut From Belgium Exposes the Ruptured Relationship Between a Teenage Tennis Star and Her Coach

#‘Being Maria’ Review: ‘Last Tango in Paris’ Star Maria Schneider Gets a Behind-the-Scenes Biopic That Starts Strong but Fizzles Out

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