#A Lovely Slice Of Whimsical, Melancholy Magic [SXSW]
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“A Lovely Slice Of Whimsical, Melancholy Magic [SXSW]”
If that sounds low-stakes, that’s because it is. “Marcel the Shell With Shoes On” operates at a charming whisper, unafraid to let its story be told in quiet, charming conversations and observational comedy that feels akin to the gentlest work of Hayao Miyazaki and the clockwork timing of Jaques Tati. Ostensibly a family movie, the tone is far from Hollywood, and those expecting loud set pieces or inane needle-drops need not concern themselves. This is the kind of movie built to engage kids, not occupy them.
The movie doesn’t work if Marcel doesn’t work, but the little shell (with shoes on) leaps off the screen, feeling as real as any human character you will encounter. Shot in a confident, handheld recreation of cinema verite, Marcel’s minor adventures and routines are bemusing and frequently hilarious. He uses honey to scale walls like Spider-Man, a tennis ball as a mode of transportation, and a slice of bread as a sofa. He’s engaged but casual — this is his life, and he’s glad to talk about it, glad that someone noticed, glad to share the little ways he has survived in the absence of his family, and how he has kept Connie alive.
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