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#Why Jamie Foxx’s Electro Deserved Better

“Why Jamie Foxx’s Electro Deserved Better”

Otherwise known as Eric Marlon Bishop, Jamie Foxx has become a recognizable public figure across film, television, and music. This multi-award-winning performer first gained popularity after earning the role of Ray Charles in the biopic Ray, the film that scored him five outstanding awards for his performance. Prior to his awards show sweep, Foxx was a recurring cast member of In Living Color and later went on to helm The Jamie Foxx Show. As his career progressed, Foxx continued to work with Hollywood’s most esteemed artists on iconic titles. His presence ranged from Quentin Tarantino’s Django Unchained to being a featured rapper in Pitbull’s album Planet Pit. Foxx expanded his public image and personal marketing beyond the screen through his YouTube channel and his Brown Sugar Bourbon liquor. He was effective when expanding himself and his presence across media in every form.

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Foxx joined the ever-growing comic book superhero movie market and was featured as Electro in Sony’s The Amazing Spider-Man 2. Responses to The Amazing Spider-Man 2 were, however, underwhelming compared to the reputation of past Spider-Man titles, and the reactions to how Electro was depicted on the big screen were discouraging. Nonetheless, after rumors spread that Spider-Man: No Way Home would not only bring back Spider-Man veterans Tobey Maguire and Garfield alongside Tom Holland, but reintroduce each franchise’s most popular villains as well, there was an increased appreciation for The Amazing Spider-Man 2. The announcement that Foxx would team up with Alfred Molina’s Doc Ock and Willem Dafoe’s Green Goblin received an outpour of excitement from Marvel fans. No Way Home was a sentimental success as it bridged the gap between three eras of Spider-Men. The film went on to break box office records and was viewed as a cinematic sensation. There is plenty to be celebrated about the cultural event that is No Way Home, though without being swept away in the excitement of its thrills, here is why Foxx’s Electro deserved better.

Electro Shouldn’t Have Had to Compete for Screen Time

No Way Home was a success as a crossover event that was enough to satisfy Marvel’s new multiversal plan. In spite of its massive size and ambitious plot, the Spider-Man consolidation was impressively able to avoid feeling overstuffed. However, high volumes of heroes, villains, and those in-between sacrificed equal limited screen time for the film’s key players. Foxx’s Electro had to compete with primary antagonists from two other eras, which limited how large his impact and return really were. With the return of Spider-Man villains hailing from Sam Raimi’s trilogy reclaiming their iconic status simply by being seen on the screen once more, every moment spent with Electro had to be just as memorable.

Unfortunately, the writing and direction given to Foxx were not as strong in comparison to his counterparts. Electro’s inclusion in No Way Home often left him with thrown-away one-liners or simple pieces of dialogue, and there is a feeling that there is more time rationed for others in the greater scale of the film itself. If Foxx’s reprise as Electro were respected more than just being a marketing tactic to draw enticed Marvel fans back into theaters, he would not have been as sidelined as a secondary character. There was a feeling that Electro could have been given more to do in the film, yet his presence was limited to a boost in star power that allowed No Way Home to boast an impressive ensemble.


Related: Why Spider-Man: No Way Home Should Have Introduced a New Villain

Electro’s Costume Design Deserved Improvement

Sony Pictures and Marvel Studios worked to improve Foxx’s reprised role to a certain extent. While his powers were retooled, as the eel-zapped villain was given abilities more true to his name — as outlined by Screen Rant — Electro’s final costume featured on-screen was underwhelming. The initial design for Electro that was finalized in The Amazing Spider-Man 2 was debated heavily and rejected by audiences who had greater expectations for Sony’s imagining of Max Dillon. Unfortunately, No Way Home did not offer much of an improved wardrobe upon Foxx’s revisit to the Marvel Universe.

Marvel Studios traditionally honors comic book designs — with a modern twist — to the best of their ability throughout their cinematic universe. Perhaps not as blue as he once was, Electro’s updated design did not feel as if it were thoroughly reconstructed to present him in a more accurate light. Marvel Studios’ costuming department has the expansive and inclusive budget to introduce a look that is more reminiscent of the pages of the comics. Instead of opting to use a plain shirt, cargo pants, and a fireman’s jacket with Stark Tech placed over the outerwear to remind audiences that Iron Man’s legacy is still present within the MCU, there could have been room to run the original jumpsuit through a military or technical-graded filter that shares a resemblance to Electro’s earliest appearance. The declination to improve upon how Electro visually appeals speaks to how lightly the decision to reestablish his presence really was. Looks may not be everything, but, in this specific instance, they’re important to take into consideration.


Related: Spider-Man: No Way Home Returns to Theaters with ‘More Fun Stuff’ This Fall

No Way Home Was an Apology to Jaime Foxx’s Electro, Not a Redemption

While Foxx’s return was intended to be a redemption for Electro as Marvel Studios was granted access to using the character in a larger role, it did not translate as such. For redemption to fully present itself, there must be more of an effort to reboot the character from a new point of view compared to reconstructing what is already established about them. This was simply a continuation and reconciliation between Garfield’s Peter Parker and one of his adversaries that should have initially been seen in The Amazing Spider-Man 2. No Way Home gave Foxx’s Electro more to do upon entering the multiverse, but could not overlook the first impression of his character. This second chance felt as if it were more of an apologetic offering from Sony and Marvel after reflecting on their first attempt to being Electro into the universe. Bringing Electro back was a single step in the right direction, but it could not completely overshadow Foxx’s initial performance.


Alas, it was left at just that: bringing Foxx back was enough for Spider-Man: No Way Home. He was not given a specific angle or purpose that would contribute to the growth of his character. Electro was deprived of on-screen development that would be necessary for some form of redemption. His incorporation into the film felt as if it were an effort from Sony and Marvel to regenerate interest in The Amazing Spider-Man series while understanding that Foxx’s Electro was mishandled in days gone by. Instead of advancing Electro on the big screen as an important character in Spider-Man lore, Sony attempted to make up for the disappointments of yesteryear.

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