TIFF 2023

#‘Wicked Little Letters’ Review: Olivia Colman and Jessie Buckley Reunite in Strained Period Comedy
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#‘Wicked Little Letters’ Review: Olivia Colman and Jessie Buckley Reunite in Strained Period Comedy

#‘Sly’ Review: Netflix’s Sylvester Stallone Doc Is Alternately Illuminating and Evasive
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#‘Sly’ Review: Netflix’s Sylvester Stallone Doc Is Alternately Illuminating and Evasive

#Toronto Post-Fest Analysis: Which Awards Hopefuls Popped and What’s Winning the Audience Award?
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#Toronto Post-Fest Analysis: Which Awards Hopefuls Popped and What’s Winning the Audience Award?

#Hayao Miyazaki’s ‘The Boy and the Heron’ Sells for U.K.
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#Hayao Miyazaki’s ‘The Boy and the Heron’ Sells for U.K.

#‘Pain Hustlers’ Review: Emily Blunt and Chris Evans Star in David Yates’ Propulsive Opioid Crime Drama
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#‘Pain Hustlers’ Review: Emily Blunt and Chris Evans Star in David Yates’ Propulsive Opioid Crime Drama

#‘Flipside’ Review: A Documentarian’s Inspired Look at Life’s Unfinished Projects and the Stuff We Collect
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#‘Flipside’ Review: A Documentarian’s Inspired Look at Life’s Unfinished Projects and the Stuff We Collect

#‘The King Tide’ Review: Frances Fisher in an Unsettling Tale of Supernatural Powers and Poisonous Groupthink
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#‘The King Tide’ Review: Frances Fisher in an Unsettling Tale of Supernatural Powers and Poisonous Groupthink

#‘We Grown Now’ Review: A Delicate Coming-of-Age Story Set in Chicago’s Cabrini-Green Homes
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#‘We Grown Now’ Review: A Delicate Coming-of-Age Story Set in Chicago’s Cabrini-Green Homes

#‘Next Goal Wins’ Review: Taika Waititi’s Soccer Film Sacrifices Sincerity for Self-Conscious Humor
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#‘Next Goal Wins’ Review: Taika Waititi’s Soccer Film Sacrifices Sincerity for Self-Conscious Humor

#‘Knox Goes Away’ Review: Michael Keaton Is a Hitman With Dementia in Neo-Noir Misfire
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#‘Knox Goes Away’ Review: Michael Keaton Is a Hitman With Dementia in Neo-Noir Misfire

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