One thing we do know about the “Camelot” revival is that it will be Sorkin’s second collaboration with director Bartlett Sher, who also worked with him on adapting “To Kill a Mockingbird” for the stage back in 2018. Sher was nominated for a Tony Award for his direction of “Mockingbird,” in fact, the play netted a slick nine nominations, including a win for Celia Keenan-Bolger who played Scout Finch.

Considering Sher and Sorkin’s version of “Mockingbird” was both critically and financially successful, it will be interesting to see if they can once again make some magic happen with a very different kind of story — one that’s a little less weighty and a lot more fantastical. Although, they could certainly eschew those elements if they wanted to make it sadder and weirder, a la David Lowery’s film “The Green Knight,” another Arthurian adaptation which was beautiful and grim in equal measure. Either way, it’ll probably be a boon for theater kids and renaissance festival fans everywhere, a Venn diagram that might as well be a circle.